THE SIMULACRUM NARRATIVE OF HISTORY INTERPRETATION IN POST-TOTALITARIAN CULTURE

The purpose of the article is to highlight features contemporary national culture as a special artistic meaning Gesamtkunstwerk, which formed by reflection predominantly historical pattern. research methodology consists set scientific methods general and nature. Methods analysis synthesis, well historical, cultural systemic approaches, were used reveal essence virtual reality super narratives in information space, are impetus for formation ethical, aesthetic consensus. relevance determined need study postmodern paradigm, gives rise new discourses that replace communist era interpretation history posttotalitarian space. novelty it shows post-Soviet an inertial phase post-totalitarianism, has image simulative tottalogy reality. Conclusions. demonstrated Gesamtkunstwerk space desirable reality, but stopped at level fairy-tale narrative, time dimension simulacrum world appear another kind aesthetics virtus. It been noted post-totalitarianism stage when necessary realise invented type not art. So, hybridity creative efforts, post-coloniality, hypercriticism way being, vital energy represent motives adds little understanding situation creativity Ukraine. Conversely, slogans indicate identity, because waiting manifestation initiatives synthesis.